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A Collecting Story: The Bell Collection

A collection of 164 pieces of ceramics assembled by Toronto residents Ann Walker Bell and Robert Murray Bell stands as the foundation of the Gardiner Museum’s holdings in the field of Chinese art. The Bells collected from the 1950s to the 1970s, a period during which high quality objects circulated on the market more widely. Their interest centered on the fascinating history of blue and white wares made in Jingdezhen in the late Ming (1368-1644) and Qing (1644-1911) dynasties.

Robert Murray Bell was a scholarly collector and a meticulous record keeper. Explore highlights from his notebooks!

The collection as it was displayed in the home of Ann Walker Bell and Robert Murray Bell prior to its donation to the Gardiner Museum in 1999 and 2001.

A Collector’s Catalogue

Robert Murray Bell catalogued the entire collection into two notebooks now held in the Gardiner Museum’s archives. Each entry includes a sketch of the object, followed by information on its acquisition (place of purchase, date, cost). A description of the piece and comparable objects in other collections follow. Finally, Mr. Bell noted similar items that sold on the art market and their sale price.

Discover more about the moon flask

Similar Pieces

Collectors will often be aware of similar objects in public (and private) collections, which can help further their understanding of their own collection. For this candlestick, Mr. Bell noted a comparable piece located at the Shanghai Museum. Find out more about this piece and see the similarity to the candlestick in the Shanghai Museum in the Object Highlights section!

 

Discover more about this candlestick
Islamic-type candlestick (upper part), Jingdezhen, China, Ming dynasty, Yongle period (1403-1424), porcelain with underglaze cobalt blue. The Bell Collection of Chinese Porcelain, G01.2.1.

Comparable Sales

Robert Bell meticulously documented comparable sales of objects in his collection. This can help collectors understand how the value of their collection changes over time, something important to know for insurance purposes. While he acquired this sprinkler in 1969 for $109, he was still updating his records in 1981 where he noted the sale of a similar piece for £115 in England.

 

Explore Blue and White: A Global Fashion
Islamic-form rosewater sprinkler, Jingdezhen, China, Qing dynasty, Kangxi period (1662-1723), c.1685-1695, porcelain with underglaze cobalt blue. The Bell Collection of Chinese Porcelain, G01.2.77.

In The Family

This lion candlestick, donated to the Museum in 2010, found its way to the Bell’s collection from the estate of Ann Bell’s father, Howard C. Walker. It was passed down to Howard Walker from Mrs. Bell’s grandfather, Sir Edmund Walker, a Canadian banker, who had a great love of the arts and helped found the Royal Ontario Museum in Toronto, Ontario, Canada.

 

Discover more about this lion-form candlestick
Sancai 三才-glazed lion-form candlestick, China, Ming dynasty (1368-1644), 15th – 16th century, earthenware with glazes. Gift of Ann Walker Bell, G10.4.2.

Identifying Provenance

Provenance is the history of an object’s ownership, starting from when it’s made, right up until the current owner. Archival documents like these notebooks are very helpful for identifying provenance information. In this notebook page Mr. Bell noted that they purchased the piece from Bluett and Sons in London for $367 in December 1964 and that it had previously belonged in the collection of Max Robertson, an English collector.

 

‘Gu’-form vase with scholars and cranes, Jingdezhen, China, Ming dynasty, Chongzhen period (1628-1644), c.1635-1644, porcelain with underglaze cobalt blue. The Bell Collection of Chinese Porcelain, G99.1.17.