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Mythical Creatures

From dragons to phoenixes, mythical creatures hold a distinguished place in Chinese art. They carry cultural and spiritual significance, acting as visual metaphors for deep-seated beliefs. Before and during the Qing dynasty (1644-1911), publications, including classics like “Shan Hai Jing” and “Qin Chong Dian,” meticulously documented mythical beasts. These ancient texts illuminate the imaginative realms of folklore, offering crucial insights into the historical perspectives and beliefs surrounding mythical creatures in Chinese culture.

The phoenix is represented in "Qin Chong Dian,", Gujin Tushu Jicheng (古今圖書集成), [The Complete Collection of Illustrations and Writings from the Earliest to Current Times: Avian and Insect Compendium], Volume 515, Chen Menglei (陳夢雷), China, c. 1700-1725. Shaanxi Provincial Library. Credits

The Imperial Dragon

The dragon (long in Chinese) is the most recognizable mythical creature in Chinese art. Portrayed as a majestic, serpentine being with sinuous scales, the Chinese dragon is distinctively adorned with antler-like horns, fiery whiskers, and four powerful claws. The dragon symbolizes auspicious strength and protection, clawing on polychrome clouds and manipulating natural powers, such as rain and lightning. The image of the dragon, therefore, symbolized Chinese imperial power since ancient times, and was commonly represented on the surface of imperial porcelain.

 

Bowl with four-clawed dragons, Jingdezhen, China, Qing dynasty, Kangxi period (1662-1722), c. 1700-1722, porcelain with underglaze cobalt blue, fictitious mark for Chenghua period. The Bell Porcelain Collection, G01.2.88.

The Winged Dragon (yinglong)

Chinese dragons take on different features based on the power they hold and their habitat of origin. One of the most powerful ancient dragons is yinglong. This winged dragon often appears on imperial porcelain, representing both a celestial being, and a deity associated with the rain, thus embodying a synthesis of cosmological symbolism and meteorological significance in ancient Chinese mythology. Yinglong was particularly popular during the late Ming to the Qing period, as seen on this bottle.

 

Bottle with flying dragons and ruyi (sceptor) clouds, Jingdezhen, China, Ming dynasty, Wanli period (1573-1620), late 16th-early 17th century, porcelain with underglaze cobalt blue. The Anne Gross Collection, G18.1.2.

The Sino-Islamic Dragon

A mythical being shared across cultures, the dragon also appears on Chinese export porcelain. This blue and white plate features peculiar dragons with bulbous torsos (in the centre and around the rim), which differ from traditional Chinese depictions. The form is similar to the saz-style dragons in the 16th century associated with the Ottoman court, suggesting that the porcelain plate was made for the Islamic market.

 

Explore the Dragon's Journey
A Chinese export blue and white dragon plate. The back of the plate shows an inscription written in Farsi by a previous owner. Zhangzhou, China, Qing dynasty (1644-1911), mid-17th–early 18th century, porcelain with underglaze cobalt blue. The Anne Gross Collection, G18.1.1.
Saz-style drawing of a dragon amid foliage, Shah Quli (Turkish, born Tabriz, Iran, active c. mid-16th century), attributed to Turkey, Istanbul, c. 1540–1550, ink, opaque watercolor, and gold on paper. Metropolitan Museum of Art, Bequest of Cora Timken Burnett, 1956, 57.51.26. Credits

Phoenix Tails

In imperial symbolism, the dragon signified the emperor, while the phoenix (feng in Chinese) embodied the empress, representing virtues and grace. Traditionally manifesting in times of peace, the depiction of the phoenix changed from the Ming to the Qing periods. Ming renditions feature a minimalist portrayal with two tails, as seen on the dish from the Wanli period. During the Qing era, the phoenix designs became more intricate, with the creature adorned with up to eight tails and flamboyant feathers.

 

Side dish with fenghuang (phoenix), Jingdezhen, China, Ming dynasty, Wanli period (1573-1620), c. 1573-1620, porcelain with underglaze cobalt blue, Wanli period mark. The Bell Porcelain Collection, G01.2.16.
Side dish with fenghuang (phoenix), Jingdezhen, China, Qing dynasty (1645-1911), c. 1680-1730, porcelain with underglaze cobalt blue, Kangxi period mark. The Bell Porcelain Collection, G01.2.89.1.

The Qilin and the Foo-lion

The Qilin 麒麟 is a unique composite creature often featuring a dragon’s head, deer’s antlers, ox’s hooves, and fish’s scales. It embodies benevolence and protection as it graces porcelain with its auspicious presence. The Foo-lion is another creature encountered on Ming-Qing ceramics. It is characterized by a robust and majestic mane and symbolizes power and authority. As a guardian figure, it is typically portrayed with a fierce countenance and a poised stance.

 

Discover more about the lion-form candlestick
Charger with Qilin 麒麟 (a legendary, mythical creature), Jingdezhen, China, Qing dynasty, Shunzi period (1644-1661), c. 1650-1660, porcelain with underglaze cobalt blue. The Anne Gross Collection, G16.1.1.
Sancai 三才-glazed lion-form candlestick, China, Ming dynasty (1368-1644), 15th – 16th century, earthenware with glazes. Gift of Ann Walker Bell, G10.4.2.